Notes from a catwalk show (Wednesday 17 September, 2008)
Welcome to Naomi Cambell’s Fashion for Relief (London Fashion Week)
An hour late and counting . No models hanging off my arm, no goodie bag, not even a Gingerbread man. But I can't really complain. After all, I'm sitting in the third row of a catwalk show. Three rows from the white strip, from international fashion icons, from another reality. It's a little surreal sitting here in the middle of it all. I find myself constantly distracted by the unnatural gleam of soda-white teeth.
The crowd
The venue is crowded. The demographic predominantly young and female; all glammed, heeled and powdered. In the background cameras flash as the room slowly settles itself. It's London. It's the scene. It's like something straight out of the fashion channel... or (dare I say it?) Ugly Betty.
Champagne bubbles float through from the foyer, and with them an excited buzz. There are International celebrities in the house and high fashion couture in the wings. Everybody, punters and professional crew alike, are glancing around to see who is here and how they are dressed.
The front row is apparently where the action is. Photographers cluster, clicking away for the social pages. Mischa Barton looks elegant and bored in a flowing red and white number. She's taller than I expect. Pretty. Her face is half-hidden by the golden flow of her hair. She looks like she's by herself. I wonder where Josh Hartnett is tonight? Maybe they have a late date... My view is obscured by another cluster of suits and dresses.
I could be in any of the fashion capitals of the world – fashion types in black t-shirts, a gleaming white catwalk and a bank of photographers. The only reason I know I'm in London and not New York (besides the accents) is the fact that so many of the people here, while well brushed, are not even verging on beautiful. Perhaps it is because I'm too close and not peering through a stocking-ed lens? Caked make-up, an inch thick, covers blemishes and acne. Expensive dresses (unfortunately) can't hide the body beneath. Fake tan... an ocean of orange. And yet, in this carnival to the superficial I'm feeling okay. Is it that I fit the part? No, I think it has more to do with the fact that the crowd are so conscious of their own appearance that they can barely spare a thought for anybody else.
The fashion conscious, the celebrity and the tragic - we're all gathered here tonight in homage to... high fashion. There are punters behind me in ranks (heck, I still can't believe i'm in the third row) standing and straining. Celebrity wh0res and wannabe fashionistas. I'm surrounded by them. Drowning in them. All wearing their solitary designer pieces and mortgaged Louis Vuitton. The girls are decked out in accessories, clad in everything from neat charcoal pants suits to long lime-green ball gowns (open-backed of course). The men appear to subscribe to two styles: young urban funk (trying) or white shirt and blazer brigade (receding hairline optional). I won't speculate as to where I think I fit.
And the show begins
Where is Naomi? The show is introduced by the MC who trumpets the show’s philanthropic generosity (this year to the White Ribbon Alliance) and the tireless work, verve and energy of the one and only Naomi Campbell. Where is Naomi? The Prime Minister’s wife is next, reading well from the lectern. She’s in red and, while passionate, is neither glam nor inspirational. Still no Naomi.
As fingers start to drum on wood pews finally the lights dim and music begins. The first figure on the catwalk, though lovely and dark, is not Naomi. Nevertheless the crowd cheers on a self conscious looking Estelle who does her obligatory walk. And then, Naomi arrives on the catwalk, her wing model attached to her left hip.
With her trade-mark model strut, Naomi Campbell owns the catwalk. She's all long limbs, long hair, projecting attitude and style. A goddess. She stalks to the end of the white strip and does the full pose - shoulders back, hips square. A perfect pause. Cameras flash. She turns and she's out.
Amateurs. Professionals. Women. Men. Inspired fashion. Retro fashion. Ethnic influenced fashion. An orange suitcase on wheels. I scribble and stare. Cameras continue to flash. Celebrities flow by; first among them is Cheryl Cole, gorgeous in red all slim style and smouldering eyes. There are a pair of British Gold-medallists in black cocktail dresses, who march up the catwalk, posing behind their big Olympic mementos. A giant African-American model in motorcycle leathers (the girls cheer). A boy-zombie in a suit, diamond stud from his white ear. Kimberly Stuart, high cheekbones and ski-slope nose. Tartan mother and children. Ear to ear smiles. A platinum blonde drag queen. A mature woman, all orange haired and crows-feet, carrying decades of characters (could it be Vivienne Westwood?). A saucy girl in jeans and smarm. Tall and leggy. Painfully thin. Rounded and voluptuous. Coiffures. Powder. Jaunty walks. Jolting walks. Self conscious. Self obsessed. It's all on the catwalk.
A men's charcoal suit, double front-pocketed, with matching polo. Chiselled looks. Good teeth. Sugarbabes in chorus-girl outfits. The blonde loses a heel mid-walk but doesn't even pause. She recovers it on the return. Neo-gothic. Neo-modern. Neo-classical. Just new. Gold and glitter. Ornate silver and simple black... but never plain.
The music pumps and the catwalk absorbs the beat and spits it out. Models swing out in new outfits, eyes staring through the wall of cameras. The audience cheers and claps, their cameras capturing outfits and models. Even Mischa has her hand-digital out and busily snaps away.
All too soon it is over. The lights dim. The celebrities (Mischa among them) scurry out, escorted by clip-board carrying minders. Disappointingly, I don’t even warrant a hand-blown farewell kiss. Such is the price of anonymity. Perhaps next time...

